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Post by johannae on Jun 11, 2013 23:40:18 GMT
I'm starting to write an Alan Ayckbourn-like play about an adulterous couple whose infatuation with each other and misery at home results in farcical adventures in hiding, lying, and sneaking. Ultimately, the play is aboutthe conflict between taking care of one's own desires and putting loved ones first--or, to put it another way: can you love two people at the same time?
I feel this irresistible urge to include a therapist character. I think it could be very funny (things like "You really need to come to terms with your self-loathing") since therapists often say hilarious things in a total deadpan. It will also bring out a different side of the main characters.
But I worry that the therapist thing has "been done." Should I find a similar alternative, or do you think there are still more we can do with the therapist character?
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Post by Naomi Laeuchli on Jun 17, 2013 4:42:31 GMT
Well, as an audience member I always enjoy seeing familiar plot ideas (like a therapist) being used, especially if they're being used at least partly for humor. Because you know the trope, a part of you can make guesses and expect the scene and dialog to go a certain direction, and then when it doesn't (which, assuming it's a well written play is usually the case) is when it gets the most funny. Or when you see the familiar, what you expect, in the not so familiar situations. Such as the line you gave ‘you really need to come to terms with your self-loathing’. You expect to hear a therapist telling you to come to terms with something, (your emotions, your past, etc). You don’t so much expect them to tell you to come to terms with self-loathing.
Plus, I just always enjoy therapy scenes ;-)
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Post by rickhodges on Sept 24, 2013 15:42:22 GMT
I think it would work fine if you did it right.
But you could easily use a different character in the same role. He/she could even talk like a therapist would. You can easily overcome the audience's skepticism about a non-therapist talking like one, simply by having another character acknowledge it. "Gee, Helen, you always sound so much like a marriage counselor instead of my sister-in-law."
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